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There should be a full section of Us Weekly each week that is just devoted to a meditation of that fact.Īnyway, Gomez is now paying tribute to Aniston via her new album cover. Like, we’ve made pizzas at her house.” That is correct, Gomez and Aniston make pizzas together. She kind of gives me a lot of, like, maternal advice.” Gomez added that a typical hang-session for the two of them involves. They manage her as well, so it was kind of like a friendly meeting and instantly she's, like, inviting me to her house.
#SELENA GOMEZ REVIVAL ALBUM COVER MOVIE#
During last year’s awards season, Gomez posted an Instagram shot of the pair, in which she wrote, gushingly, “I have not only been following her career as a fan since I was 8 and now get to watch her completely transform in her new movie CAKE, I have gotten to have real conversations with such a real heart, made my entire year.” And this past summer, Gomez discussed their bond further, telling a reporter, “Honestly, is amazing. Selena Gomez and Jennifer Aniston are one of-if not the most-unlikeliest celebrity friendships. Mqs.link_SelenaG0mezRevivalDeluxeEditi0n2015Q0buz24441.This content can also be viewed on the site it originates from. It makes for a solid pop album overall, but it’s a little too formulaic and predictable to rate among her best work.
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There are some songs as good as anything she’s done and the production is professional all the way thanks to heavy hitters like Stargate, Max Martin, and Hit Boy. Despite a few too many songs like this, there is still much to like about the album. Whether on the confessional piano ballad “Camouflage,” the bruising “Sober” or the cartoonishly sexy “Good for You,” it feels forced and overdone. She aims for several kinds of maturity here, but in the process the music suffers. The songs that don’t fare as well are those where Gomez sounds most personal. She also does a fine job on the tracks that slip outside the bounds of the formula, namely on the snappy, sassy Charli XCX-written “Same Old Love” or the steamy, tricked-out Latin beats and weird synthesizers in “Body Heat.” These tracks show at her best, dialing up her personality to match the wit and imagination shown in the arrangements. Gomez sounds most at home on the uptempo dance tracks like “Kill ‘Em with Kindness” or “Me & the Rhythm,” where the smoothness of her voice fits in with the vacant abandon of the beat. Instead, the album sticks pretty close to a club bangers-and-ballads mix with a couple of R&B-inspired jams thrown in. Taking more control over the album, with more writing credits and production oversight, the sound veers away from the bubblegum nature of her early work or the genre-hopping aspects of other releases. Revival is something of a fresh start for Gomez, both musically and personally. A label change (from Hollywood to Interscope), a very public breakup with longtime on-off boyfriend Justin Bieber, management issues, various rehab rumors, and even a few good things (a hit single, a charting collaboration with Zedd). Musically, “Revival” is primarily a dance-pop and electropop album with R&B vibes, which has been also described as “a heady mix of electronic dance music pop”.ĭuring the short time since her last album, 2013’s Stars Dance, and the release of Revival in 2015, Selena Gomez went through about a decade’s worth of stuff. The album reflects her journey since 2013, including the media scrutiny of her personal life.
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Gomez co-wrote twelve of its sixteen tracks. The record was influenced by a range of artists, particularly Christina Aguilera and her album “Stripped”. “Revival” is the second studio album by American singer Selena Gomez.
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Studio Masters, Official Digital Download | Front Cover | © Selena Gomez PS LAC (tracks) 24 bit/44,1 kHz | Time – 50:33 minutes | 602 MB | Genre: Pop